Passing Through: On the World and Ourselves

Yedu Creative · Kōng Theatre - Hangzhou, China (Commission by Yedu Creative)

May 31, 2025 – Led by both adults and children
June 1, 2025 – Led by children (ages 2 to 16) in celebration of Children’s Day in China

Passing Through: On the World and Ourselves is a contemporary art project that interweaves exhibition and performance, while functioning as an evolving form of social observation.

Positioning the theatre as a spatial and conceptual container, the work invites individuals from diverse backgrounds — varying in profession, age, and physical condition — to take part. These participants are not performers in the conventional sense; they are not assigned roles or narratives. Instead, they are simply asked to walk — to engage in an ordinary, everyday act.

Through this fundamental action, participants construct a collective visual experience. There is no linear plot, no scripted dialogue — only the unique rhythm of each body and the silent syntax of movement. The performance does not seek to represent life, but rather to accompany it — passing through fragments of time that are typically overlooked.

Ultimately, Passing Through is an open-ended inquiry — into how we observe, how we coexist, and how we perceive one another. It offers not answers, but a question: one directed at the city, the present moment, and the systems we move through every day.

© 2025 空剧场小松鼠

‘ I witnessed a heartwarming and touching transformation: from initial silence, avoidance, and distrust, to gradually letting down his guard under your gentle, non-forceful guidance. You truly saw him—you understood his rhythm rather than rushing to change him. In the end, he was able to play and laugh with you so freely, showing a rare and genuine smile… You truly saw him—not as someone to fix, but someone to meet where he is. ’

— From a grateful mother of a child with autism and depression

‘ At curtain call, children burst onto the stage—some tugging younger ones by the hand, some darting forward, others stumbling with care. Their footsteps thundered like spring breaking through the earth. I sat in the front row, utterly unprepared for the tears that came. What I witnessed wasn’t just theatre—it was life, raw and blooming. ’

— Mogu’s mom

I didn’t expect much from a free show—but I left in tears. A mother, joyful and gentle, embraced her child on stage. I rarely see happy mothers. As someone afraid of becoming one, I suddenly understood what it means to see the world—and see myself in it…In a dark theatre, a young man with cerebral palsy searched for the light on stage. One by one, audience members turned on their phone flashlights to guide him. It felt like a moment outside the algorithm and the noise—a space where real people, of all ages, simply were. ’

— Ning Ning, audience member

‘ At first, I wanted so badly to express myself freely like others in the workshop, but I kept worrying—Am I too much? Am I doing it wrong? Even though Xi kept encouraging us, I couldn’t fully let go…Later, when we spoke one-on-one, I nearly burst into tears. I didn’t know why at the time, but on the way home, it hit me: it was because I finally felt seen. For so long, I’ve hidden my feelings, convinced they didn’t matter…This experience became a small but brave step for me. I may not have spoken to many people, but I saw each person’s uniqueness—and I realized: I’m interesting too. ’

— Participant in Passing Through

‘ My child, Xia Tian, is usually shy and sensitive. But that day, he was so natural, so joyful on stage. I believe it was thanks to the way the team allowed, affirmed, and gently guided the children—creating a space where kids of all ages could play and perform together in harmony. ’

— Xia Tian’s mum

‘ From the very first conversation, I felt gently welcomed and truly seen. The creation began right there…During the performance, something quietly shifted. As I untangled the fishing net wrapped around my body, I realized—it wasn’t just a prop. Maybe the things that bind me in life aren’t as impossible to escape as I always thought. ’

— Participant in Passing Through

Creative Team

Conceived and designed by Xi Chen

Producer: Black Sheep

Devised by: Hanfang Sun, Xi Chen

Workshop Facilitation: Xi Chen, Hanfang Sun

Visual Design: Black Sheep

Spatial Design: Yuan Xiang

Photographer: 又见海

Volunteer: Jia Wang, Xiru Chen, Hui Ge, Ye Zhang, Wen Zi, Jin Yang, Xiao E

Presented by: Yedu Creative

Co-produced by: Xiaoshan Association of Non-Party Intellectuals - Youth in Sight: Theatre Project

Participant list

31 May 2025: Yuzu, Jia Song, Jia Wang, Chu Zhuang, Knight, Yi Nan, Te Te, Hui Ge, Yi Zou, Chang Chang, Yeguo, Wen Zi, Ai Gua, A Ran, Jiajia Hou, Xiaoli Wang, Yingying Bai, Shanyi Wu, Zhishuo Shao, Ersan Wang, Hao Yang, Big Fish, Da Qian, Da He, Da Hong, Da Zheng, Xiao Zhi, Xiao Hui, Xiao Yang, Bear, Will, Xie, Felix, Sally, Dalu Guo, Zhongge Chen, Xiaoxiao le, Qiyu Weng, Big Princess, Wang Zai (Dog)

1 June 2025: Yixuan Shen, Junqi Shen, Wenqian Mao, Xinyue Wen, Zhiyan Sun, Mogu Sun, Aili Zhou, Lehang Wang, Felix, Rayban, Hao Yang, Yi Wang, Yinan, Xiaozhi, Da Qian, Xia Tian, Haoye, You You, Jun Jun, Tuo Tuo, Little Sweet Potato, Han Mo

Special thanks to

Glen Neath, Yutong Jin, Renjia Zhu, 42, Zichun Wang, Shiyu Wangyang, Yitong Feng, Mingyu Chi, Xiaoyu Wang, Guoyou Liao, Chao chao, Jia xin, Lan Ting, Ramesh vira, P Bhojani, Fabiana Ferraz Dias da Silva, Daniel Gongra Pinto, Pawel, Ralph Prosser